Digital noise is the experience, oil paint is the art
Digital noise is the experience, oil paint is the art
Painting is the zombie of mediums – always about to die, never quite makes it to dead. Mine starts on a screen. The digital pieces are the backend and my paintings in reverse: algorithmic, prompt-based, the half-life of a piece before it’s finished and after it’s done.
EXHIBITIONS AND SHOWS
EXHIBITIONS AND SHOWS
Recent exhibitions include the Rose Center for the Arts in Longview, Washington, The Art Base in Basalt, and Crested Butte Center for the Arts. Group shows include Red Brick Center for the Arts in Aspen. My work is held in private collections in London, Chicago, Denver, and Detroit.
Recent exhibitions include the Rose Center for the Arts in Longview, Washington, The Art Base in Basalt, and Crested Butte Center for the Arts. Group shows include Red Brick Center for the Arts in Aspen. My work is held in private collections in London, Chicago, Denver, and Detroit.
THE WORK
THE WORK
FEATURED WORK IN PROGRESS
FEATURED WORK IN PROGRESS
I make oil paintings and I also code. These aren’t separate practices for me; one informs the other.
I make oil paintings and I also code. These aren’t separate practices for me; one informs the other.
WRITING
WRITING
Interview
Interview
From 2023: This week Wes and Todd sit down with Painter, Ann Morgan. Ann discusses painting big, technology informing her process, xeroxes, learning to paint at age 13, winning awards in her youth, AmeriCorps VISTA, getting her B.F.A. at Michigan State University, not painting for 20 years, always considering herself an Artist, her “Art Stuff” folder, the catalyst to start painting again, melding the traditional with technology, Artificial Intelligence, RunwayML, painting in oil, her process using A.I., painting in the dark, being bendy, A.I. prompts, borrowing imagery, what scares her about A.I., artist statements living in a simulation, and art being unapologetic joy.
From 2023: This week Wes and Todd sit down with Painter, Ann Morgan. Ann discusses painting big, technology informing her process, xeroxes, learning to paint at age 13, winning awards in her youth, AmeriCorps VISTA, getting her B.F.A. at Michigan State University, not painting for 20 years, always considering herself an Artist, her “Art Stuff” folder, the catalyst to start painting again, melding the traditional with technology, Artificial Intelligence, RunwayML, painting in oil, her process using A.I., painting in the dark, being bendy, A.I. prompts, borrowing imagery, what scares her about A.I., artist statements living in a simulation, and art being unapologetic joy.





























